Writer’s Retreat – Toronto Islands Artscape

Writer’s Retreat – Toronto Islands Artscape

The writer’s retreat at Artscape Gibraltar Point last month was nothing like what I expected.

For one thing, I didn’t know it was going to be so gosh darn gorgeous. I mean look at those photos! I was compelled to stay outside and if you know me that is NOT my factory settings! I hide in the shade or stay inside, but that weekend I was constantly trying to stay outside and soak up the sunshine and the beautiful relaxing landscape. But wait, isn’t the Toronto Islands a tourist destination? How can that be relaxing? Well, the organizer (and friend) Phil Rickaby planned our weekend retreat on Mother’s Day weekend + the weekend was cold and calling for rain so not many people were there except the usual suspects (aka the people who live there).

I was there with 5 other writers, only two are pictured above as I didn’t want this to be a “vacation” where I photograph everything (though I couldn’t help the pictures above because AGAIN it was so damn gorgeous!) – all of which had a project they were working on. I was working on the 2 Weeks to Paradise webseries script! We shared our pieces together and gave feedback on what we heard.

We had our own desks in our rooms and came together at meals and hung out (Phil and I went to the farm on the island and got kissed by Prince the llama(!), and heard about each other’s projects. It was really inspiring!

Here is a sample of what I wrote while I was there; it’s shifting the focus on Claire, the principal character’s intern. I want each of them to have a full story of their own as “supporting” characters…

CLAIRE
You know what I mean. You’re dedicated. You’re an artist.

JENNY
Graphic artists don’t get to be “artistes”.

CLAIRE
Ya you do, it’s in your job title.

JENNY
Ya but, I don’t use a brush I use a keyboard and I don’t think a museum wants my digital creations any time soon. Hell, I just want my Etsy to blow up – pay my rent, hell buy me groceries…

CLAIRE
Do you need money?

JENNY
No no no. I just, ah, I just am feeling like a faker. No one wants my shit.

CLAIRE
It’s not shit.

JENNY
Says the dutiful sister.

CLAIRE
Says the sister who is always right.

JENNY
I love you “sister who is always right”.

CLAIRE
I love you too. Now (waves her fork like a wand) it is time for another glass of wine! Why? Oh, because I’m always right!

Here’s hoping the next round of grants will let me finish this and produce it up for you to see! In the meantime, if you can BOOK SOME TIME at Artscape, I’m already planning on going again later this year. It was exactly what the writer doctor ordered 🙂

*Special thanks to Phil Rickaby for putting that weekend together and all the participants who were just an amazing talent and energy to be around.

Mad Women

I haven’t been in front of the camera or treading the boards since State of Women closed, but that’s not to say I haven’t been performing… You may have noticed I fell in love with social media and I have pursued it with a college certificate & I made a move to headquarters within the museums I work at to tell the story of ALL the museums, not just the two I have managed since 2011. I love storytelling. I think that it was only natural for me to become a performer/actor, but online media is a new stage of sorts to perform on! I tell the museum’s stories there and I am super excited about it.

Last night I got to dress up and tell the museum’s stories at a 1960 Beatles event at Market Gallery and it was oh so fun! I used Joan Halloway from Mad Men as inspiration, see the results!

Joan Halloway from Season 1 Mad men as my inspiration for my hair and wardrobe Myself as Joannie and Ann as Peggy from Mad Men at the Beatles Rock TO event

It was so fun to be in period dress (and not be in a bonnet!) and get so many people’s reactions – so many participants shared their stories of fashion and memories of their friends and family looking like me! (And a lot of people thought I looked like Joan so that’s good! Mission accomplished!)

I love playing dress up, that will never change. I love telling stories either on stage or off 🙂

Summer is done?

How did that happen? Summer is pretty much over?! I guess that’s what happens when you get so sick you lose your voice and have to sleep for a few days. Ya. That happened.

But what a great present: my partner and I ended up in Punta Cana for a week where yes, once again I got sick, this time from the sunshine! But look at that ocean!

Sunshine in Punta Cana

So now that the autumn is coming I hope to turn my efforts back to acting, writing, and perhaps some producing.

Here’s hoping 😉

Directing?! ME?!

Meet Cute poster for Fringe Festival in TorontoSo a few months back I get a message from Erin Norah Thompson on Facebook: “I have a project I’m interested in having you as a collaborator…” turned out she wanted me to direct one of her scenes in this really neat concept of a show called Meet Cute. The 15 minute script would repeat 3 times but each time it would have a different edge to it: 1. Girl Meets Boy (and stalks him) 2. Boy Meets Girl (and stalks her) and 3. Boy and Girl Meet (and it’s all consensual/romantic).

I got 3! And I played up the awkwardness of meeting someone for the first time complete with muppet arms of excitement and bumbling over what to say (did I just rhyme, omg, they hate me for sure!).

Now you have to remember, I haven’t directed something since Grade 11 Sears Festival! It was God by Woody Allen and I had no idea what I was doing – I just knew I wanted to make the show happen and there was no director so I stepped off the stage to be that person. We ended up winning for Production Design and my days of directing were pretty much over. Granted I have collaborated on projects like my one-woman show and a few things at the museums where I was directing a lot of choices but still an outside eye was needed/had. So you can see why I was nervous to jump into directing. But I’m so glad I did! After sitting with the opening night audience I said “oh yay! no one left!” and I relaxed a little into this new experience of being a part of the stage without being on it. And now I may have a new love and addiction…

So I hope you can check it out! Here are some reviews that may encourage you to see it!

The Mind Reels reviews Meet Cute “Short, sweet, and just about the most perfect little rom-com scene I’ve ever seen presented” (oh hey that’s the scene I directed!)

Mooney on Theatre reviews Meet Cute “A standing ovation later, I heard a couple in the front row exclaim, “That is theatre!” I couldn’t agree more. This show is simply a joy to watch. Meet Cute is a must-see!”

A special thanks to Ada, Erin, Jesse and Ria who welcomed this newb with open muppet arms of excitement. Thanks for making this an amazing experience.

Traveling Through Time

Traveling Through Time

In the past week I have travelled through over a hundred years of time:

collage 4 time periods

 

My work at the museums mean I dance between 1851 farm house living in a tartan parlour dress and bonnet, to the Edwardian teacher jumper that makes me feel like Anne of Green Gables all grown up!

New to the mix was stepping in to talk about the end of War of 1812 and then walking Old Toronto and making a pit stop at Toronto’s First Post Office.

Lastly, fast forward me to 1945 to the WWII epic “State of Women” with me making airplanes for the war.

Each gig I dive into history and I never stop learning. People share their stories with me and I pocket the information to tell someone else. I love the sharing that happens when you start talking about the past; everyone has one and everyone has a story to tell. I’m one of the lucky ones that gets to do that all the time 🙂

So that’s 130 years in one week. I wish I got airmiles for that.

Answer some questions about yourself.

My friend and constant inspiration Kat Leonard asked me some great questions, and I mean GREAT. These rival the #AskHerMore questions on Twitter! Here, click the pic & take a look at what I answered:

People Profile: Adrianna Prosser's headshot for Kat Leonard

 

I think everyone should ask themselves these questions. Furthermore, Kat was so generous to ask me to come out and take part in her WonderFest in March  where I will be performing a piece from my Everything But the Cat… one-woman show. It looks like it will be March 5th at 3030 Dundas St W – stay tuned for more details 🙂

We are up and running

We are finally filming episodes for Cranium Cookie and you can find some fun behind-the-scenes stuff on our facebook page: https://www.facebook.com/pages/Cranium-Cookie

Cranium Cookie banner

We are also looking for a sound person for the rest of the shoot dates so if you are that person or know someone who is please pass this along 🙂

Other than that I’m busy making a 10 minute education video for Gibson House Museum explaining the reasons and lead up to the 1837 Rebellion of Upper Canada to use for programming. Should be fun! I love history!

Next up is a super secret project that includes using my whip and fight skills in a short film and then learning a Louisiana accent  for another project. This is gonna be an excellent end to 2014!

 

IC Publishing Summer Blog Tour

My friend, Andrew Freund (@AndrewFreundKM) asked me to be a part of the IC Publishing Summer Blog Tour and I couldn’t be more delighted! You can read Sheri’s post that launched the tour here. The idea is to talk about projects and all the things that go into it.  As Sheri puts it: “So, what better subject to blog about than how to start, continue, and complete those tasks we really want to—big or small?”

writing
My projects vary: I’m a playwright and soon to be children’s author (that’s my in-the-works project/goal!) and a blogger over at my “Everything But the Cat…” website. I would really like to explore screenplays in the future; I have a webseries idea in draft about bereavement in a dark comedy set in Toronto too. So a little bit of everything really!

How do you start your (writing) projects?
With a deep desire to say something about that subject. When I wrote the historical adaptations for The City of Toronto Museums I was moved by historical fact and the knowledge that most people I knew didn’t even know those events had transpired. In their own home town too! The medium I was most familiar with was acting so I wrote a play. I also wanted people to come to the site specific museums to experience the history as much as be entertained by it.

With Everything But the Cat… it was equal parts moved by events (my brother had died by suicide) and a part of my bereavement process. I needed an outlet and once again, it was the medium I knew. I also wanted to share my story in a very personal way: one-woman-show style. I wanted my audience to know this happened to me and that this show was something beyond entertainment – it was a call for community and awareness for suicide prevention and mental health. That’s why I made the blog over at www.everythingbutthecat.net so that the community could grow and connect and share.

With the upcoming children’s book, I felt I still had things to say about mental health and subjects like depression and helping young people understand that it’s okay to talk about their feelings to those they trust. In the book a little girl has SADs and it is up to her and her helpful teddy bear to fight the symptoms and treat her illness.

How do you continue your writing projects?
Scheduling helps – I like putting myself on deadlines. I also like bringing in other people: the more eyes on it the better. With my plays I had dramaturgs, editors, directors, stage managers… With the children’s book I am reaching out to people I know in the business (Like Erik Buchanan, you can read his blog post from the links below!) and trust their opinion to soundboard off of. Networking is helpful because you never know who will say yes to your project unless you ask! (This blog share being a perfect example of building networks and community!) But these people also put the pressure on to deliver! It’s harder to procrastinate a project when I know someone else is waiting to see that project.

How do you finish your project?
Ah. This is tough. I never feel the project is complete. With the shows, there is a deadline to get it into rehearsals, but even there the script may change and I allow it to with the insight of the actors, director, stage manager – all of these elements can add so much more to the original text. But it is key to stand by your words and stand up for your decisions: it is your play afterall. Setting boundaries is a good idea before allowing others to put their two cents in too 😉

With the book coming up, I don’t know how I will deal with that! That is a finite thing that will be sent off to the printers. I’m guessing with lots of re-reading and edits and a test audience to read it and give me feedback so I can adjust the text/illustrations to get the right mood from the reader as a response. Allowing your “ugly baby” out into the world and to come back with notes, scribbles, highlights and post-it notes is a hard thing but a necessary thing.

Include one challenge or additional tip that our collective communities could help with or benefit from:

Tip: keep a small pocket book in your purse, bag, knapsack for all those quotes friends say that tickle you – you should use them in your next project. I mean, it made you laugh, it could delight someone else in the future.

Challenge: I would love to know more about the ins and outs of the publishing world. I’m coming into it post-self publication world revolution, where the game has changed so much… where do I begin?

Passing the Pen
I’d like to pass the pen/keyboard over to these fantastic people who will answer these questions next Wednesday on their blog!

Dwayne Harmer is a Designer,  is an Artist and the creator of the Stress Prevention Kit. After dealing with his own mental illness for over a decade, he wanted to provide an alternative to the clinical and the flowery spiritual self-help books. “Spirituality for me comes from the serenity of being in this moment.” He hopes to inspire others to take a (w)holistic approach to their health. @stresskit @zoetropicdream
stresskit.zoetropicdream.com  +  zoetropicdream.com

Erik Buchanan is a professional writer, ghostwriter, communications consultant, actor, and fight director. He is the author of Small Magics and Cold Magics, both published by Dragon Moon Press, and his third novel True Magics will be out this fall.  He also has short stories in “When the Hero Comes Home” and “When the Villain Comes Home.” He has also written more than 300 articles on everything from from consumer electronics to reasons to get the flu shot.  Erik is currently working on a web series, a young adult horror series, and trying to find enough time to sleep.
 erikbuchanan.blogspot.com   @erik_buchanan

Behind the audition table

Recently I was behind the audition table on the panel for Urban Bard Productions as they are doing Comedy of Errors this summer downtown Toronto. Here are my observations to be taken in stride for anyone who thinks my opinion/advice is worth anything more than the breath I spent saying it 😉

1. If there is a script, STOP and read it. And if you don’t read it, do not announce that you have not read it! This happened more than once believe it or not. Just do yourself a favour and read the script.

2. If there is a sign on the door STOP and read it. Huh. I sense a theme here.

3. If it calls for an accent then do it. If you can’t do it: try. The panel wants to see you play – your willingness to just do it. (“the scripts are called Plays for a reason, so PLAY!”someone once told me.) Or if that scares the bee-jebus out of you, decline the audition because that’s the gig. But please don’t lie to the panel and say you can do a *insert region here* accent because they will likely ask you to do it: and when you come up short EVERYBODY FEELS AWKWARD. Own what you know. Work on what you don’t. But don’t try to get away with a lie.

4. Do NOT bring a knife to your audition. And then use it. And freak out the panel. Or just me.

5. Do have fun! When you are having fun we are having fun! Most audition panels are made up of people who have been in your shoes once-upon-a-time and we get it: it’s a weird thing to showcase all of you in 2 mins or less. What they want to see is your willingness, that’s 80% of the audition. There are some non-tangibles like “do you look the part” which may just be in the directors brain and never shared, or if you fit the costumes that were pre-made/rented. But really it’s your willingness to take direction, be relaxed with these certain people, showing us your homework without showing us your homework – all that in 2 mins is HARD and they know it. So just have fun and it will all be okay.

6. STAPLE your résumé to your headshot for the love of Shakespeare!!!

7. Read the room. You may not be able to do this yet but it is a skill every actor should have. If the panel keeps looking at the time, or has one word answers for you maybe you should wrap up your candid post-monologue chit-chat and get outta there. If they are looking at your résumé do not start your monologue until they look up! It’s the little things. 

8. Go there. Just do it. The whole “we would rather see too much than too little” is fine for a theatre audition (again read the room and do your homework to see if this is contrary for that situation) but mostly just GO THERE. Fill the room. I’m not saying “be loud. be impressive. be a diva” no I’m saying own it. You got the audition now take it and make it yours. Don’t apologise (oh us Canadian actors) just do it!

I think that’s it. They seem so obvious but nerves and life get in the way. The trick is to not bring that into the room. That is the hardest part of all. But that’s what auditioning is. Take all in stride and keep going to get better at the audition part, and sometimes you will even GET the part 🙂

And now if you’ll excuse me I have to practice what I preach…

 

 

Archery updates

Not much to update other than I’m under a rock called rehearsal and production! Everything But the Cat… is coming along nicely and soon enough I will be in rehearsal for The Parliamentarians in May.

What do I do to unwind from all the scheduling and memorization rehearsals? This: archery. I have been a few times this year and both times have been cold! But really I can’t get enough.

Hungarian Horsemans Bow: anchor at the chest, not the eye.
Hungarian Horsemans Bow: anchor at the chest, not the eye.

 

 

 

 

 

 

Here’s a video of me trying a Hungarian Horsemans bow:  http://instagram.com/p/nROJlKSW1W/

notice that it anchors to your chest and not your eye! That messed me up so much! But it’s really interesting to feel the different approach to mounted archery – it’s true, anchoring to your face/eye (Hunger Games style) makes for a very bouncy shot once on the horse. If you anchor to your chest it is much easier. I can’t wait to try this on a horse!

 

 

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