Inspiration recharge

I saw this last night – I needed a creative recharge after my last post/painful cold read experience. So naturally I turned to my two of my living muses: Daniel MacIvor and Sandra Shamas.

I met Sandra just recently, and revelled in her storytelling. Her style is a huge inspiration to me and my writing style. She made me believe that what I have to say, however I need to say it and what ever topic I find interesting – I have the right to say it. Confessional Theatre I call it. When I took my mom to see her at the Winter Garden Theatre here in Toronto, my mom leaned over, tears in her eyes from laughing so much and said,

“Holy crap! She’s just like you! She’s SO funny! I mean, this is horrible but this is funny!”

Sandra was talking about menopause and the pitfalls of such an experience, but I got what my mom was saying. I have this show about suicide and bereavement and I am trying to make it not as dark and heavy a show. Sandra is inspiring me to be heavy and light in my writing. Honest, brutal, but also hilarious – because hey, that’s me.

Daniel MacIvor’s solo shows make me want to be a playwright. I want to help people understand people. As in, I want them to understand the differences in people in a way that celebrates just how unique we are. And at the same time – just how fucked up we all are. And hey, that’s okay. But the gloss and shine job we put on ourselves to “face the world” is just that – a face. A mask.

I saw his “This is what happens next” last night by Necessary Angel and I needed that. I needed to see something I believe in. I believe in his style and writing so very much. Confessional Theatre: where the audience is your best friend and you can tell them ANYTHING. They will be there the whole time, waiting, watching, hopeful, supportive – even if you are being a dick (the character Will for instance in “This is what happens next”) or you know the inevitable (as with The Kid) and you can still be hopeful – you can still be witness to their story. Which is the important part.

In the writer’s note by MacIvor, one part stood out:

Are all stories true? Well what is truth? Is truth “fact”? If so, then no, all the facts are not true. Are the characters real? Well, if “real” means “actual”, then no they aren’t real. But fact and actuality have informed and filtered everything in this show and there is truth. True feelings and fears and joy.

I am now ready to go back and look at my script and make some decisions. Editing is hard. But with these two muses fuelling me I feel energized and ready for the challenge.

Playwright hat on.

The pitfalls of writing

Rant time.

If you’re not in the mood to hear a rant – press on to here: http://links.laughingsquid.com/ where you can get lost in what’s happening elsewhere.

The rant:

Last night I did something I have never done before: I had my script read by strangers in a public forum. It was a cold-read, which means there was just a person picking up my script and reading it without any direction (she cheated and had the script before the read date so I assume she looked at it before last night… But after last night I doubt it.)

It was painful. I shook from my solar plexus the WHOLE TIME. Not because I couldn’t stand someone saying my words (I have several historical plays that have been produced and enjoyed collaborative direction and I loved the experience!) – no. It was the complete lack of trust in the words. The complete lack of respect for the not just the words, but the punctuation.

HEY YOU. ARE YOU AN ACTOR?

May I suggest a couple things? Watch the last episode of Firefly. There is a quote in there where the character Early says to Doctor Simon,

You oughta be shot. Or stabbed. Lose
a leg. To be a surgeon, you know? Know
what kind of pain you’re dealing with.
They make psychiatrists get psychoanalyzed
before they can get certified, but they
don’t make a surgeon get cut on. That
seem right to you?

I am not advocating getting shot. What I am saying is: if you want to be the best at your art form (here we are talking acting) then you should explore all the facets of that art form. I’m not saying stop your Meisner classes and take up directing or playwriting – I’m saying look into what goes into those types of roles. Figure out why they are there. Try to see their pitfalls, their trials and hardships in their position. Because the eye opener last night was that thing I heard back when I started learning how to read/deliver Shakespeare.

Shakespeare in himself (herself?) is a huge argument. But for this rant I want to talk about how I was taught to approach the text of Shakespeare. Yes, I know that there is a folio/quarto/modern editors…but I was taught that the words have a rhythm (hi, iambic pentameter!) and that the punctuation is crucial. This is why so many Bardolators get uppity around this topic, as there are so many people who have been involved in the punctuation placement game when it comes to his work.

I digress. Last night I heard the cold-reader blatantly disregard not just words (which hurt because it changed the meaning of the text) but mostly when they disregarded the punctuation. It is the one clear thing that a writer can write. Italics, parenthesis, underlining, hyphens – which I adore – all can mean different things. Did the writer mean to stress that or under-stress that word? Does that mean it’s important or should the reading be flippant? But the one thing that is quite clear is what follows:

Periods are full stops.

Commas are half breaths.

Hyphens are a push through, a sudden change even.

Colons are a list.

So actors (and yes I am reading my own words here when I say this) when you pick up and read in an audition room/cold read – please please PLEASE pay attention to the things that are set in stone. THE PUNCTUATION. *And if you bring up Christopher Walken I will mentally kick you in the shin!

The words are there for interpretation but the punctuation is there to help you find your breath (think Shakespeare and musicality) and ultimately the character. The punctuation is just as important as the words.

(side rant: at a reading, the stage directions should not be glossed over. But that’s all I have to say about that. And as actors we seldom get a leg-up. If there is an insight into what is happening in the audition room or the reading LATCH ONTO IT! If you get the sides beforehand: read them. Sorry, sorry… I know I’m supposed to stop ranting now….)

There. That is my rant.

Please rant back. Period.

A little chat…

My friend and past-cast mate, Phil Rickaby, has this great podcast in which he talks casually with actors, playwrights, theatre creators about everything and nothing.

I was so excited when he asked me to be a guest on his “show” that I may have done a happy dance.

Offstage Podcast with Adrianna Prosser

A little about influences on my creative process, what I’m working on, and what I like to tackle. Have a listen if you can – I would love to hear your thoughts!

Great News. Great Inspiration. Great Women.

So I am a huge nerd about certain things. I also am a closet shy-girl. Yes. Me. Shy. I fan-girl in the most awkward worst way possible. I am terribly shy and self-conscious around people that make the world a better place and make me want to be a better artist and person. One of these people is Sandra Shamas – who not only was an original puppeteer for Fraggle Rock (OMGTHATISSOFREAKINGCOOL) but she also has this great wit and writing style to her. Her series of one-woman shows has been a huge inspiration to me to write first person dialogue to the audience. A confessional theatre flavour. My script currently titled “Everything but the Cat… A Not-So-One-Woman-Show about Bereavement and Suicide” has the tag line on the front page as a synopsis:

“Sandra Shamas has a third date with Postsecret.” This describes my genre. It’s humour and wit, with that edge of intimacy and secret sharing that Postsecret is known for.

Then I fan-girled her TONIGHT at a local Storytelling Event at a deli in Toronto

 

I was so excited to meet her and tell her I cried my ass off (tears of laughter mostly) with my mother at her most recent show in Toronto. I also squeed that yes, my show, was inspired to be in the format that I chose because I felt validated by reading/seeing her shows – has been picked up for workshopping and presentation with The New Ideas Festival 2013!!!! March 9th at 12 noon I will be presenting my show for the first time for the public! I can’t wait! Thanks to Bricoteer Experiment Theatre (James and Grey), and my close friends and family who have really pushed and pulled this story out of me.

I can’t wait to see what comes next!