Next Big Thing: Writer’s Interview

A writer friend, Chloe Whitehorn, tagged me in her writer’s “interview” that will be shared with other writers all over the web! Here are my answers:

What is your working title of your play? It’s called “Everything But The Cat…”

Where did the idea come from for the play? As an actor and sometimes playwright for the City of Toronto Museums – the most natural way to express my grief for the passing of my brother in 2010 was to write a play about it. The play is not just about death, but more about the topic of loss. Who we lose, what we lose – this can be relationships, the death of a loved one (or stranger), items that we hold dear – everything can be precious. Even your cat 😉

What genre does your play fall under? I would say Dramedy in the form of a Not-So-One-Woman-Show

Which actors would you choose to play your characters in a movie rendition?  I would cast myself! Ha! As a Canadian theatre creator I think it is necessary to make work for yourself, it’s not just a survival technique (hey I get to pay myself in this blockbuster right?!) but also it ensures you are making the type of art that moves you – that fulfills you. And if I was booked up I would cast Emma Stone, as long as she dyed her hair back to red. I love her work and her fantastically genuine presence on film.

What is the one-sentence synopsis of your play? 

Loss is sometimes greater than leaving your umbrella on the subway.

Will your play be self-produced or mounted by a theatre?  So far it has been picked up by the New Ideas Festival at Alumnae Theatre for their 2013 run. I will have a one-off reading/staging of my show on March 23rd 2013. From there I am planning on filming it so I can submit for some grant proposals. Ultimately I would love to tour it to high schools or universities to raise awareness about mental health and dealing with loss. I hope to partner with a mental health institute to being a support package to schools when I visit so they have resources for any type of follow up.

How long did it take you to write the first draft of your script? First draft took a year. It is basically a diary of the events that happened to me personally, then redrafted into something a bit more fictionalized as to help make it flow and exclude all the boring-ness of my actual life 😉 I have been working with Bricoteer Experiments Theatre; thank you James and Grey!  They helped me workshop the script through the use of puppetry. Dramaturg and editors, these two brought me out of my comfort zone and into a creative place where I was ready to give my story shape with well thought-out criticism and feedback.

What other plays would you compare this story to within your genre? My two big influences on this piece are Sandra Shamas (her one-woman shows, especially My Boyfriends Back and there’s Going to be Laundry was a huge inspiration/validation for my diary approach – or what I call Confessional Theatre,) and Daniel MacIvor’s solo shows (House, Monster, Here Lies Henry) were a great way to study pace and character work with one person on stage.

Who or what inspired you to write this play? Well, there are those playwrights above that act as inspirations…. But mainly the fact I couldn’t help but write this story. I was selfish and used the pen and page to help me work out what I was going through as I hit bereavement hard. So many people wanted to know what happened to my brother and to my family – to me. And so, this play about my one year of bereavement tells all those things. The horrors of depression, the triumph of finding love, the loss of someone dear to me, twice, three times – I lost count. But the fact that so many people sought me out to hear my story – to hear my brother’s story – I knew I had to write it out. And I knew it had to be theatre and not any other medium as I wanted the storyteller aspect to this. It needed the opportunity to connect with it’s audience in real time, in a real space. Film would create too much distance. A book seemed too close to being an actual diary and no room for the spontaneity I had learned through reading/watching MacIvor’s work with Brooks. No. It had to be theatre.

What else about your play might pique the audience’s interest?  I don’t want to ride anyone’s coat tails, so as much as I love MacIvor and Shamas – I wrote my piece to stand apart. How you might ask? I really am in love with shadows and silhouettes and the effect of them onstage.  I want my one-woman show to be not-so-one-woman with these shadows taking the form of everyone else in the show. She will essentially be alone with a scrim/screen behind her, yet she will find herself in a crowded subway “full of people” who will be nothing more than the shadows of the subway patrons. The saying “ever feel alone in a crowded room” comes to mind when I try to explain this to people. So come and see my experiment! I will be working with Steph Ouaknine who is already working on the projection designs for these shadow players.

I hope you can join me on March 23rd 2013 at Alumnae Theatre for the first ever public staged reading of “Everything But The Cat…”

 

Who tagged me? Well this talented red head:  Chloë Ariane Whitehorn

https://www.facebook.com/ChloeWhitehorn

Who I tagged:

AJ LaFlamme http://www.artbytheft.com/

 

 

Inspiration recharge

I saw this last night – I needed a creative recharge after my last post/painful cold read experience. So naturally I turned to my two of my living muses: Daniel MacIvor and Sandra Shamas.

I met Sandra just recently, and revelled in her storytelling. Her style is a huge inspiration to me and my writing style. She made me believe that what I have to say, however I need to say it and what ever topic I find interesting – I have the right to say it. Confessional Theatre I call it. When I took my mom to see her at the Winter Garden Theatre here in Toronto, my mom leaned over, tears in her eyes from laughing so much and said,

“Holy crap! She’s just like you! She’s SO funny! I mean, this is horrible but this is funny!”

Sandra was talking about menopause and the pitfalls of such an experience, but I got what my mom was saying. I have this show about suicide and bereavement and I am trying to make it not as dark and heavy a show. Sandra is inspiring me to be heavy and light in my writing. Honest, brutal, but also hilarious – because hey, that’s me.

Daniel MacIvor’s solo shows make me want to be a playwright. I want to help people understand people. As in, I want them to understand the differences in people in a way that celebrates just how unique we are. And at the same time – just how fucked up we all are. And hey, that’s okay. But the gloss and shine job we put on ourselves to “face the world” is just that – a face. A mask.

I saw his “This is what happens next” last night by Necessary Angel and I needed that. I needed to see something I believe in. I believe in his style and writing so very much. Confessional Theatre: where the audience is your best friend and you can tell them ANYTHING. They will be there the whole time, waiting, watching, hopeful, supportive – even if you are being a dick (the character Will for instance in “This is what happens next”) or you know the inevitable (as with The Kid) and you can still be hopeful – you can still be witness to their story. Which is the important part.

In the writer’s note by MacIvor, one part stood out:

Are all stories true? Well what is truth? Is truth “fact”? If so, then no, all the facts are not true. Are the characters real? Well, if “real” means “actual”, then no they aren’t real. But fact and actuality have informed and filtered everything in this show and there is truth. True feelings and fears and joy.

I am now ready to go back and look at my script and make some decisions. Editing is hard. But with these two muses fuelling me I feel energized and ready for the challenge.

Playwright hat on.

Great News. Great Inspiration. Great Women.

So I am a huge nerd about certain things. I also am a closet shy-girl. Yes. Me. Shy. I fan-girl in the most awkward worst way possible. I am terribly shy and self-conscious around people that make the world a better place and make me want to be a better artist and person. One of these people is Sandra Shamas – who not only was an original puppeteer for Fraggle Rock (OMGTHATISSOFREAKINGCOOL) but she also has this great wit and writing style to her. Her series of one-woman shows has been a huge inspiration to me to write first person dialogue to the audience. A confessional theatre flavour. My script currently titled “Everything but the Cat… A Not-So-One-Woman-Show about Bereavement and Suicide” has the tag line on the front page as a synopsis:

“Sandra Shamas has a third date with Postsecret.” This describes my genre. It’s humour and wit, with that edge of intimacy and secret sharing that Postsecret is known for.

Then I fan-girled her TONIGHT at a local Storytelling Event at a deli in Toronto

 

I was so excited to meet her and tell her I cried my ass off (tears of laughter mostly) with my mother at her most recent show in Toronto. I also squeed that yes, my show, was inspired to be in the format that I chose because I felt validated by reading/seeing her shows – has been picked up for workshopping and presentation with The New Ideas Festival 2013!!!! March 9th at 12 noon I will be presenting my show for the first time for the public! I can’t wait! Thanks to Bricoteer Experiment Theatre (James and Grey), and my close friends and family who have really pushed and pulled this story out of me.

I can’t wait to see what comes next!