I’ve done a lot of shows at The Red Sandcastle Theatre, including my one-woman show premiered with me in it there, I’ve done a few indie theatre shows like The Parliamentarians, and I even helped form a collective of playwrights and formed a festival around our work before the pandemic called Whiskey Ginger Collective. It’s been an amazing space to hold my creativity, as well as the homestead for Eldritch Theatre productions, even longer than I have been with them! So when Rosemary Doyle from Red Sandcastle approached Eric Woolfe of Eldritch Theatre and I to talk about the future of that black box studio on Queen East – I was all ears!
Eric and I are taking over as new management, and I have already done a digital overhaul of the logo, the social media, and the website (that one in thanks to Christopher Mott!) and am already taking booking for 2022, but we don’t “move in” until December 1st, 2021. I’m already excited for it! Eric and I have plans to refresh the space and honour what Rosemary has been doing for these past 10 years in that space: making performance dreams come true. Now, Rosemary isn’t leaving, she’s just taking a necessary step back so she can focus on her life in Kingston as Theatre Kingston’s Artistic Director.
I am so excited for Checkpoint 300 at Fringe this year – ok ok I’m bias, because not only am I working on the show as their marketing and publicist, but I also know Michelle Wise (Playwright and Director) and Geoff Mays from a long time ago from my actors life. Plus bringing to life such a heavy but important subject as xenophobia and religious conflict in the middle east – this show won an award for being such a great piece of theatre. I hope you can see it: https://fringetoronto.com/fringe/show/checkpoint-300
I took photos from their rehearsal for media use and I am happy to put my learning curve of photography to use: (and a little graphic design to add in the mix!)
Happy Fringing to you all! And let me know what is on your “Fringe Picks” this year, I have some theatre to see 🙂
The cast behind my upcoming staged reading of my haunted western “Scarred Leather” all had their photos taken by me in my living room and then I set out to edit them some Deadwood portraits for their characters…
Each character is from 1847, old Upper Canada, in the wilds of the new land called home – the outback of the Western world.
But more excited to challenge myself in not just writing a period piece, not just collaborating with talented actors Jason Martorino, Phil Rickaby, and Caroline Concordia, but to up my photoshop skills to make the visuals for it! That includes my poster:
We are doing a staged reading as it is still in development, but we will be doing light rehearsals until the festival, and of course it will be costumed because why do a Western in plain clothes?! You can see behind the scenes and updates on Whiskey Ginger Collective’s social media:
A few years ago I started working with Eldritch Theatre and it was magical – no really there was actual magic! The creatives in Eldritch Theatre are pretty stellar and even though I’m the Marketing Monster and Producer, I’m still made to feel a part of the creative team.
There have been great reviews, great fan feedback, and the houses are always bursting with laughter (and people! We keep selling out!) So as a Producer this is making my heart happy, and as a theatre creator it’s making my heart explode because we need more risk taking, more ridiculous, more PUPPETS in our lives.
I hope you get to see it – and because I’m the Producer I’m going to share a secret with you… “Comic Horror” is the discount code for $20 anytime tickets and there is always PWYC Sundays that you can book ahead!