Julius Caesar is onstage (and online!)

I have been working behind-the-scenes (well behind-the-screen) for Groundling Theatre and Crow’s Theatre’s adaptation of Julius Caesar as their social media specialist. I have been having a blast managing their Facebook and Twitter, where so many audience members and critics are able to interact with me and tell me how much they LOVE this production.

Social share created by Adrianna and shared on Groundling Theatre’s social media

I still haven’t seen it outside of a rehearsal I was lucky enough to attend, so just you wait until I start raving about it too – I’m seeing it this week!

Want to see it? Catch it quick as it closes February 2nd and it’s selling out all the time: crowstheatre.com/caesar and if you need accessible tickets check out: https://www.crowstheatre.com/1920promo#JuliusCaesar

Toronto Fringe 2019: Checkpoint 300

caucasian female soldier looking right at the viewer in uniform with quote "Sir, I'd rather be treated as a soldier not as a girl"

I am so excited for Checkpoint 300 at Fringe this year – ok ok I’m bias, because not only am I working on the show as their marketing and publicist, but I also know Michelle Wise (Playwright and Director) and Geoff Mays from a long time ago from my actors life. Plus bringing to life such a heavy but important subject as xenophobia and religious conflict in the middle east – this show won an award for being such a great piece of theatre. I hope you can see it: https://fringetoronto.com/fringe/show/checkpoint-300

I took photos from their rehearsal for media use and I am happy to put my learning curve of photography to use: (and a little graphic design to add in the mix!)

Shiri played by Lizette Mynhardt
Photo/Artwork by Adrianna Prosser
https://www.facebook.com/Checkpoint300Fringe-990186654516954/
Follow us on Facebook and RSVP on the Event Page

Happy Fringing to you all! And let me know what is on your “Fringe Picks” this year, I have some theatre to see 🙂

The Producer’s Hat

The Producer’s Hat

A few years ago I started working with Eldritch Theatre and it was magical – no really there was actual magic! The creatives in Eldritch Theatre are pretty stellar and even though I’m the Marketing Monster and Producer, I’m still made to feel a part of the creative team. 

This year we have a smash hit magic/horror/retro-sci-fi/sexcapade/puppet space adventure! And I took the set stills for marketing (eep!) and I made the opening credits, inspired by the 1930’s Flash gordon serials:

There have been great reviews, great fan feedback, and the houses are always bursting with laughter (and people! We keep selling out!) So as a Producer this is making my heart happy, and as a theatre creator it’s making my heart explode because we need more risk taking, more ridiculous, more PUPPETS in our lives.

I hope you get to see it – and because I’m the Producer I’m going to share a secret with you… “Comic Horror” is the discount code for $20 anytime tickets and there is always PWYC Sundays that you can book ahead!

www.eldritchtheatre.ca/tickets

Happy intergalactic space travels!

 

Stories Like Crazy presents: 2 one-woman shows!

Stories Like Crazy presents: 2 one-woman shows!

Once upon a time, Lori Lane Murphy met me online… I was stoked to be a part of her All In Our Heads storytelling event at The Paddock a while ago, and wouldn’t you know it – Lori was even cooler in person. I even met her husband Paul who I immediately wanted to be his sister! 

Fastforward past coffee chats and more storytelling events to when Lori brings this great idea of a mental health podcast that we should make together. Of course I am game! We create Stories Like Crazy We have a few episodes ready to drop for #MHW17 Mental Health Week May 1-7, but we don’t stop there…

Stories like crazy podcast presents 2 one woman shows by Adrianna Prosser and Lori Lane Murphy

We are teaming up to bring our one-woman shows about our true life stories dealing with mental health issues in our lives. Partial proceeds will go to CHMA’s #GETLOUD campaign for this year’s #MHW17

Get tickets and details here: www.universe.com/storieslikecrazy2017 

Follow us on social too:

www.twitter.com/storylikecrazy

www.facebook.com/storylikecrazy

See you in May!

Horror Puppet Magic Time!

Eldritch Theatre banner art

Great news! I have a new adventure and it includes magic, horror, and puppets! Check out the upcoming show from Eldritch Theatre:

I am now their Marketing Monster and I am in LOVE with what I get to do for them. You know I’m addicted to social media right? And I’m polishing my Producer hat to help Brimstone McReedy come to be this Halloween. I really hope you can make it.

How did this come to be? I actually went to see Eric Woolfe’s show Doc Wuthergloom last year for Halloween (my partner Jason and I LOVE LOVE LOVE Halloween) and we had such a great time that we talked about it for days. So I had to email the theatre because this doesn’t happen everyday! The Artistic Director (Eric) was very humbled by our reviews and when I said I would be delighted to help with social media for the company in the future – guess what? 8 months later he asked me to do just that 🙂

So please give them a follow on Twitter: @EldritchTheatre

And let me know if the revamped website makes sense (because I revamped it! Eep!)
www.eldritchtheatre.ca

And here is their super secret Facebook Group that gets all the news and discounted tickets first:
Cabal of Horror

And do you want to get letters from Doctor Wuthergloom. the twisted Victorian freak? Ya you do: subscribe here: Cabal of Horror Mailing List

I hope to see you at the Halloween show!

State of Women

Adrianna is Jean, a young widow during WWII who works at Jenkins, an airplane assembly factory. She befriends Eve, Pepper, and Julie and together they are the best of friends in State of Women.

http://tandum.ca/stateofwomen/

The Aesthetic Experience

Recently I was at The Globe. Yes, I know it’s a reconstruction, (actually I visited the carpark of the actual location as well!) truth is I am ready to give a standing ovation at any time to this fact as Sam Wanamaker is now my personal hero for all his hard work and patience on the matter of reconstruction. Visiting The Globe was a milestone in my life and I definitely will never forget it. 

Taking in the wonder that is living history, at The Globe in London England, 2014
Taking in the wonder that is living history, at The Globe in London England, 2014

The new theatre with Wanamaker’s name is unlike anything I had ever seen. I have read books, written term papers, watched movies, and seen plays ABOUT the time period (Jacobean in this case) but never had I been in a living history museum to one. Because truly that is what both theatres are: triumphs in preservation that people can now participate IN history rather than just witness it in books and pictures.

Inside the Sam Wanamaker Playhouse  photo by Pete Le May
Inside the Sam Wanamaker Playhouse
photo by Pete Le May

The Globe iss in off season until the weather shifts to a more comfortable temperature – so my friends and I booked tickets to Sam Wanamaker Playhouse for The Knight of the Burning Pestle which turned out to be the perfect fit for us. It was exactly the right amount of historical nods: to entertainment: to experience. The groundling heckling, the archetypes, the space itself! Oh the space itself! It was all candle lit! No electricity!

We stood, yes stood, in the Lord’s Box which is to the immediate house left of the stage. We were basically on top of the stage, right by the balcony of musicians. (You can see it there in the picture ->) I didn’t even mind standing for 3 hours! I was so engaged by the space, the actors, the story – all of it was, in fact, overwhelming me.

I started to cry. I had a body rush of adrenaline and I wanted to laugh but I cried instead. I was having an aesthetic experience right there at the first intermission of Knight of the Burning Pestle. My friends laughed, half jokingly, at me for doing so – but I can’t blame them. It’s hard to explain what I was feeling.

Aesthetic Experience is “…a sense of being both an observer as well as a participant, a sense of being both detached and yet involved. A sense of timelessness in the event often occurs, and time is expressed as being either compressed or dissolved; that is, it is described as being extremely focused in a moment or a person or a place, while at other times it opens out and expands into a sense of the infinite, the limitless in scope or space…often a peculiarly heightened sense of wonder, elation, or awe accompanied by a fresh awakening to the sense of one’s smallness in the face of the vastness, the limitlessness…an experience involves often a sense bordering on delight.

-http://www.collaboration.org/98/spring/text/08.aesthetic.html

Me at Sam Wanamaker Playhouse, post cry
Me at Sam Wanamaker Playhouse, post cry/AE

I remember when I was in high school when my art teacher, Mr. Craig, was trying to explain to me what an aesthetic experience (AE) was. Technically this experience is “your personal interaction with a work of art.” He tried to explain to me that when I have that almost black out feeling, that body shiver, that catch of breath in my throat when I see theatre – that THAT is an aesthetic experience. My body is reacting to the art. I seldom get a full AE from visual arts, I sometimes get it from music, but the most intense ones are from theatre. I always felt silly for them when I was a kid, not understanding that the knot in my stomach from watching shows at the Pantages Theatre combined with the giddy feeling I was having – I just thought I was the crazy little redhead everyone told me I was (I was a bit high strung as a kid, gee that’s a surprize.) But that intense bodily response was a connection to the show, the actors, the theatre, the audience, the WHOLE experience. I was having an AE. It started when I was 7 and I saw The Phantom of the Opera. What a show to throw me! That show was built to give you an AE: everything was over the top beautiful.

And so I was hooked. I remember walking out of the theatre and beaming up at my mom saying “I want to be Christine Daee!” and my mom saying “Oh, hunny, you can’t be Christine, she’s not real. She’s an actress.”

And so here we are. The reason I’m an actor is because I’m an AE addict. I want to GIVE that feeling to people. I want you to feel that connection with art. I want you to have that feeling: that body buzz when the curtain opens; that head rush of joy when the sword fight is flawless; that stomach ache as the ingénue pleas for her life; THAT feeling. That is what I crave every time I step into a theatre.